Gersh Photo Post | Max Gersh | Multimedia Photojournalist

My paper has started a project called 20 under 40. Citizens under 40 years old were nominated for profile pieces that would appear in our paper.

Each one needs a storytelling portrait.

It has presented a unique opportunity to really think on my feet for a good environmental portrait for so many different professions. We are only half way through the project and I haven’t shot every single one that has been published. Here are a few of my favorites thus far.

Each portrait delivered a new set of challenges. For this portrait of Jerry Ingalls, senior pastor at First Baptist Church, I had to find a location that focused on him but still had a churchy feel. When he told me about how he really likes to interact with his congregation, I thought it would be best to sit him in the pews near some stained glass.

I try to pay a little extra attention to the details with portraits. For example, I didn’t want a big highlight from my strobe (I used my DIY beauty dish on all of these) on the stained glass so I had to angle it just right. Also, I positioned myself so the pew on the right hid an electrical outlet on the wall.

Jerry Ingalls came to New Castle in January of 2010 to lead the First Baptist Church as senior pastor. (C-T photo Max Gersh) ©2010

For some of these portraits, I had very little time to work with the subject. For example, I met up with Dr. Damion Harris at his work during his clinic hours. Needless to say, he wanted to be in and out. He mentioned that he could pull up an x-ray on his computer and we went with it. Within five minutes, we were done.

Dr. Damion Harris is an orthopedic surgeon at the Forest Ridge Medical Pavilion. Harris came to the New Castle facility about seven months ago and specializes in shoulders. (C-T photo Max Gersh) ©2010

Reflections were again a huge issue while photographing Adam Bowman in Myers Furniture and Appliance. The light had to be just right to minimize huge glares. It was also interesting trying to balance the exposure on him and on the surrounding HDTVs in a very dimly lit room.

Adam Bowman is head of electronics at Myers Furniture and Appliance in New Castle. (C-T photo Max Gersh) ©2010

Weather was the tricky factor for Lindsay Brown’s portrait. It stormed very heavily the morning of the shoot. I wasn’t sure what was going to be happening by the time of we met up. The clouds broke and we had sun. Lots of sun. So much sun that I had to shoot at ISO 50 and f/8 to get my shutter slow enough to sync with my flash  (1/250th sec) which I needed to fill in shadows.

Lindsay Brown has been working at Henry County Hospital for almost five years, currently working in the emergency room as a nurse. (C-T photo Max Gersh) ©2010

For Seth Stevens, the biggest challenge I thought I would be facing was the location. When I heard banker, I immediately wanted to shoot by or in the vault. I was almost certain they wouldn’t allow it for security reasons. But it never hurts to ask.

Seth Stevens is the business development officer for Citizen's State Bank in New Castle. (C-T photo Max Gersh) ©2010

I still have more portraits to shoot in the coming weeks so I look forward to seeing what kind of fresh ideas I come up with.

If there was one valuable thing about photography that I learned in college, it was the science behind lighting.  Understanding the inverse square law and how multiple lights can affect an image proved to be invaluable to me.

While I was at the St. Louis Post-Dispatch, I had an editor give me the idea of shooting a food set with multi-point lighting. The basic multi-point setup includes three lights. One each to the left and right and one from behind. The problem is I only have one light - my Canon 550EX Speedlight.

While I was realizing how impossible this was with my gear, my editor opened my eyes. Why not set the camera on a tripod and shoot a long exposure. During that time, I can walk around with my flash off of the camera and fire it manually multiple times from multiple angles.

Voila. Max’s quick and easy multi-point lighting was born.

The one problem with it is that it is very hard to replicate an image. You can never get the light exactly where it was before. This is one of those situations where you shoot a lot with a general idea and hope for the best.

The first time I attempted and accomplished this technique was exactly one year ago on location at a Brazilian restaurant in the Central West End of St. Louis called Coco Louco Brasil.

Monday February 16, 2009 Coco Louco Brasil Foreground: Espeto Misto - kabob with pricanah (brazilian steak), smoked sausage, shrimp, filet mignon wrapped in bacon, chicken wrapped in bacon, onions Background: Tostada de Camarão - shrimp sauteed in Bobo sauce served on toasted garlic bread. Max Gersh | Post-Dispatch ©2009

For that shot, the camera was set for a four second exposure at f/16 and ISO 100. If I remember accurately, I fired the flash three to four times.

Coincidentally, I used the same technique today.

I was given the last minute assignment to shoot a group of local high school wrestlers that have advanced to the state championships. I wanted to isolate them in the image. I turned off all of the lights in the room and fired the flash twice - once from each side.

New Castle wrestlers (left to right) Connor Mullins, Brenden Campbell, Alex Catron and Cody Fellers will compete Friday and possibly Saturday in the Indiana High School Athletic Association state championships. (C-T photo Max Gersh) ©2010

This time, the camera was set to a two second exposure at f/8 and ISO 400. I also was using the Gary Fong PowerSnoot on my flash.

With one light and forward thinking, any image is possible.

I’ve always been a supporter of the idea that it is the photographer that makes the image and not the camera that he/she uses. While my close friends constantly hear me praise Canon and bash Nikon (jokingly, of course), a good photographer can make a dynamite image with a disposable film camera.

That being said, I had an opportunity to shoot with a fantastic camera - the Pentax K-7. This is Pentax’s ultra-rugged flagship camera. Considering that I learned photography on a Pentax ME Super, this was a very welcome homecoming to Pentax for me.

While I didn’t get to test the dust, weather or cold resistance of this camera, I did get to shoot a handful of portraits with it. I paired it with a Pentax 50-135 f/2.8 DA* lens and a Pentax AF-540FGZ flash used in wireless mode off camera. For a few shots, I even used the kit 18-55 WR lens. I had no trouble picking up the entire system on the fly and sincerely enjoyed the results.

The 14.6 megapixel files aren’t given any justice on this blog, but take my word for it that they are stunning.

Gavin Culbertson and Yuefeng Deng - Shot on the Pentax K-7 with the 50-135 DA* lens. © 2009 Max Gersh

Gavin Culbertson and Yuefeng Deng - Shot on the Pentax K-7 with the18-55 WR lens. © 2009 Max Gersh

Ever since I discovered what a beauty dish was, I’ve wanted one. The problem is that I don’t have any strobes to use one on. My lighting is limited to a single Canon Speedlight (shoe mounted flash).

How could I produce the look of a beauty dish with my one Speedlight?

Simple. Build a beauty dish to fit.

I’m not the most handy of the handymen. Therefore, instead of designing the dish on my own, I Googled other peoples designs and copied it. I ended up using the one I found on David Tejada’s blog. His looks better (and probably works better too but that is yet to be determined) but I gave it a good effort.

To get most of the parts, I visited Home Depot. The main “dish” is a plastic terracotta planter. I wanted to find a relatively shallow one that was 14″ across but they didn’t have any that size. I ended up getting a deeper one that is about 12″ across.

Next, I headed over to the gutter section. I was looking for what is called a drop out or outlet (I think). While David used a metal one, the only one that fit my Canon 550EX was a plastic one. It doesn’t really make much difference. If you are planning on doing this, bring your Speedlight with you to check the fit.

I then headed to the paint section. I bough a can of flat black spray paint and a can of glossy white spray paint. I figured the gloss might help the light reflect. Maybe not.

After leaving Home Depot, I went to the auto parts store and got a 3 3/4″ blind spot mirror.

When I got home, I began building. I traced the outline of the gutter outlet onto the bottom of the dish. I used a Dremel to cut it out because I could. I imagine a sharp knife would work just as well.

I then also cut the same shape out of the bottom of a CD spool. A little bit of hot glue later, and the dish, the bottom of the CD spool and the gutter outlet were one.

I then spray painted the inside of the dish white and the outside black. I didn’t want an orange dish.

I glued a CD to the inside top of the CD spool. On top of that, I placed that blind spot mirror.

The light will be firing through the back of the dish, which is also firing into the bottom of the CD spool. The light shoots straight at the mirror which spreads it back around the dish which in turn lights the subject.

The beauty dish as seen from the front.

A rear view showing the mount for the Speedlight and also the depth of the dish.

The interior of the dish with the reflector off and set to the side.

I haven’t had an opportunity to test it on a person yet. The one thing I am concerned about is the direction of the light. This is what I would describe as a “shotgun beauty dish.” Its depth makes it a directional light modifier. I am concerned that it wont wrap a subject with light as beauty dishes are known to do.

Just from popping off a few test frames, I have noticed that I do lose about two stops of light.

Hopefully this weekend I will have an opportunity to further test it and see if this is something worth keeping. As soon as I find a wider and shallower planter, I will probably build another one.

This entire build cost me just over $20 but I already had a CD spool.